A rare late Koryo dynasty Punch’ong bottle vase. Olive toned green ware glaze simply but finely decorated with off-white skip within carved pattern. Height, about 3 5/8 inches. Excellent condition and conveying with Japanese collector’s box. 14th century

A substantial, Ayutthaya period (15th-16th century) Sawankhalok kilns alms bowl with stout, carved foot. Compare with the gift of Osborne and Gratia Hauge, and Victor and Takako Hauge to the Freer and Sackler Galleries of Asian art, Washington DC, object number S2005.280. A discovery from a Baltimore antiques center in the 90's - the present example is a bit more rustic than the museum example. The stoneware body of our smaller bowl (with somewhat less rounded sides) is burnt to an iron-orange color and the "white" glaze has a light blue-green robin's egg tinge (in contrast with the museum object's light bluish-grey tinged glaze with kiln fault.) Both exhibit the oxidized inclusions in the glaze and craze lines from the unglazed rim. Width about 5 3/4 inches (14.61cm), rim Diameter about 5 5/8 inches (14.29cm) and Height 4 1/8 inches (10.48cm)

An armorer's tsuba, with very slightly raised rim on the strong, flat iron plate. Pierced decoration of a shrimp with pleasing, subtle swell along the antennae and legs (mostly on the ura.) Small, irregular brass inlays for the eyes (missing from one eye - not conspicuous.) The kogai-ana plugged with a copper rich alloy. Oval form about 2 7/8" (7.3 cm) by 2 3/4" (6.985 cm). Thickness at rim about 5/32" (.39 cm). Late 16th century to early 17th century - perhaps Momoyama period. Or possibly earlier with hitsu-ana added (though old). Good condition with varieagated hues in the dark, lustrous patina likely with extant lacquer adhering and accounting for some of the black color (note that the tsuba has an overall dark, mottled patina which our lighting doesn't adequately portray). Subtle tekkotsu evident - some old, worn pitting with the surface now smooth, almost soapy to the touch.

A katchushi (or armorer's) tsuba, probably Myochin, with pierced decoration of ship's rudders (the significance being a comparison of rudders steering a ship to values guiding a Samurai's life choices.) The strong, homogenous, dense iron plate with only light tekkotsu and smooth to the touch. Dark patina. Momoyama to early Edo. Good condition: Lamination folds with openings evident on the surface of one side. Ex Skip Holbrook collection. 3 3/32" x 3 1/16" x 1/8" (7.8 cm x 7.7 cm x .32 cm)

An armorer's iron tsuba, possibly for a wakizashi as it is somewhat diminuitive in size. Or perhaps more in keeping with its apparent age, an early example of a proportionately small tsuba used with an uchigatana as was first the fashion. Sukashi decoration of a conch (horagai) traditionally used for ritual practices and for signaling on the battlefield. The rare uchikaeshi-hineri rim (mimi) is significantly raised and defined almost as if to suggest a separate piece of iron around the rim (though it is one with the plate.) Though the small sukashi might suggest tosho (swordsmith), the distinct and high rim clearly indicates ko-katchushi (old armorers) work. Good condition with tekkotsu, dark patina and some inert, brown surface rust for which we are lightly applying oil when dry (we prefer not to overclean or dry out a tsuba so will not take some of the more invasive measures against only light rust.) This tsuba has an early feel - perhaps early Muromachi. 2 3/4" (7 cm) marugata. The thickness of the plate is about 1/8" (.32 cm). The thickness at the rim is about 1/4" (.63 cm)

An iron, Ko-Tosho (early sword smith's) tsuba. The slightest taper from seppa dai towards rim. Pierced decoration. Purchased from Andy Quirt (ex Skip Holbrook collection) at the February 2016 Tampa show, he thought it depicted gourds. I guess the beholder might see different things. I see Japanese eggplants on leafy vine (two fruit and two leaves) supported by a bamboo trellis. An uncommon and well executed, balanced decoration. The hitsu-ana appears to be original to the tsuba. Late Muromachi. Good condition - has seen some pitting in the past but now stable (chalk it up to tekkotsu, history and character - tekkotsu attractively conspicuous on the rim), well worn to the touch, and with a good, dark patina. 2 7/8" (7.3 cm) marugata. 1/8" (3.17 mm) thick at the mimi. 3/16" (4.47 mm) thick at the seppa-dai.

A katchushi mutsu-gata sukashi tsuba. The six lobed, thin plated armorer's tsuba with good tekkotsu and with openwork decoration was described by Skip Holbrook (ex collection) as Saotome made and depicting three birds. The Saotome were a line of armorers (katchu) turned tsuba makers. But I think a case could be made for the sukashi decoration being a wabi-sabi flower bloom or possibly paulownia leaves (rather than awkward looking "birds".) Use of the paulownia (kiri) mon could suggest Yamakichibei as those tsuba makers, from Owari, were outfitting swords for the Oda and the Toyotomi - the latter using the kiri ka-mon. Good condition. 2 7/8 (7.3 cm) inches x 2 13/16 (7.14 cm) inches

A simple, four lobed armorer's tsuba with simple pierced decoration perhaps depicting a landscape with structure. The udenuki-ana (cord holes) have the effect of completing the illusion of a Sesshu-like landscape. The saotome were armorers turned tsuba makers who worked in this manner and scale. Good condition with good tekkotsu. Sengoku era. 2 15/16 (7.46 cm) inches x 2 5/8 (6.67 cm) inches

A fine Japanese blue and white porcelain dish. The foliate rim with chocolate brown glaze, the white porcelain body and glaze, and the fine attention to detail all suggest Kakiemon type. The cavetto with decoration of flowering plants including peonies, prunus and others. The center decorated with a bird (perhaps a flycatcher) in fruited branches, rockery and bamboo leaves below. Both the cavetto and center with reverse technique where the underglaze cobalt blue forms the background of the decoration. Finely defined chatter marks inside the footrim centering five spur marks. Remnants of an old label adhere to the back. The decoration has the feel of Chinese inspiration. Emulation of traditional Chinese porcelain decoration, and certainly Chinese porcelain marks, is not without basis. I have not come upon quite this decoration before and would consider it, along with the quality of this work, to be rare and early - probably Genroku era. One hairline issues from the rim where a flake on the front has an old repair, otherwise good condition. This dish would be an excellent candidate for a proper kintsugi (gold lacquer) repair. Diameter 8 7/8 inches (22.5 cm), Height 1 1/16 inch (2.7 cm).

A German, domed top chest with ornamental hand wrought iron hardware, heavily oxidized and worn original surface and paint, and marked in white “T Adam Schuch reifst nach New York”. The chest looks like 17th century work. The name and destination likely added in the 18th century upon immigration. Reasonably good decoration considering the history. Length, 35 inches. Height, 17 1/2 inches. Depth, 18 1/2 to 19 inches (varying due to movement of the wood at the joinings).

This chest may be inspected at The Antique Center at Historic Savage Mill, Maryland

An interesting Owari marugata form tsuba. The sukashi decoration of water caltrop is unusual with the side views top and bottom and the silohuette views left and right of the seppa-dai. Owari examples usually portray the water caltrop with open-work (rather than silhouetted) centers. The water caltrop is referred to in Japanese art terminology as “matsukawa” because of its shape and texture resembling pieces of coarse pine bark. The size, shape, proportion, symmetric decoration and plum color of the iron consistent with Owari. Appears to be scant traces of original lacquer on the surface. One hitsu-ana for kozuka or bashin. Azuchi-Momoyama period, Circa 1600. Good condition. Diameter, 3 1/8 inches

A 17th century Chinese blue and white porcelain brushpot (bitong). Waisted cylindrical form raised on ring foot. Blue underglaze literati decoration of two figures on boat in landscape. Transitional between late Ming dynasty and early Kangxi period, Qing dynasty. A star crack on the bottom with old repair (see enlargement images from bottom and interior) and a small, tight hairline from the rim (also imaged). Otherwise good condition. Height, 5 7/8 inches. Rim diameter, about 4 1/16 inches.

Daisho ko-Shoami marugata form (round) tsuba. Gunbai-uchiwa motif (gunbai referring to a war signal fan and uchiwa referring to the form of the fan). A pair being understood as a daisho (though one tsuba being for the longer of two swords, and the other for the shorter sword, they are more often than not graduated in size). These started life together. It also being understood that a ko-Shoami tsuba would be iron - the Shoami tsuba movement issuing from armor makers and “ko” (old) relating these tsuba to earlier in that movement. Good, simple, Samurai taste of the late Muromachi era. 16th century. Good condition. Larger, between 3 1/8 and 3 3/16 inches diameter. Smaller , between 2 7/8 and 2 15/16 inches diameter. Thickness each, about an 18th inch.

A massive imari vase with decoration of the Genroku era of bijin (a beauty) and hana (flowers) on two opposing panels alternating with two more opposing panels of a structure (tea house?) in garden landscape - all in red, gold and black enamels with blue underglaze. Similar landscape decorated panels appear on the shoulder over a ground of hanabishi (flowery diamond) in repeating diamond bordered pattern. The hanabishi (sometimes also referred to as karabana, or 'Chinese flower') could be representative of a ka-mon (family crest). The prominent Takeda family and its branches used the hanabishi ka-mon onward after the Heian period. The Genroku era spanned from 1688 to 1704. The arts and luxuries reached their apex during this era of the Edo period - contributing to large, opulent expressions such as the present vase. Genroku style and influence continued for a short time after (as could this vase) while the Tokugawa Shogunate struggled with inflation after devaluing coin quality in an attempt to sustain the appearance of prosperity (sound familiar?) So in some ways the Tokugawa followed in the footsteps of the decadent Ashikaga. Good, stable condition save an old crack through the foot rim which might originate with the firing as a crazing pattern conforms along and around the crack as if from excessive heat (limited to inside the foot and the lower portion of one bijin panel.) Vase height (not including cover) is 15 7/8 inches (40.32 cm)

This vase is accompanied by a Chinese, late Qing dynasty, exquisitely carved hardwood cover. The fit is loose and the cover a bit small proportionately. As they did not start life together, we are amenable to selling the cover separately should someone have a need. The cover would best fit a large vase with interior rim diameter of no smaller than 4 9/16" (11.58 cm). The cover is 7 5/16" (18.57 cm) with the wood grain (there is substantial shrinkage of the wood against the grain with age.) The cover is in presentable condition with some glue evidence on the interior - probably from refitting after shrinkage.

A fine little octagonal blue and white porcelain kakiemon style deep dish. Chocolate brown glazed rim, white body and clear glaze over cobalt blue decoration of a primitive, raised teahouse with loose thatch roof and slung entrance screen all under a large willow tree and, conspicuously, a spiderweb (perhaps to emphasize closeness to nature) in the foreground. The interior wall and rim decorated with repeating pattern and karakusa (scrolling vine and leaf). Karakusa also appearing on the exterior wall. Blue rings around the foot, a blue ring inside the foot centering a mark - appears to read Yoshi and Ga (Ka) and possibly another stylized character from the center line. One might call it a variant on the Fuku mark in this context but it looks rather like an artist and possibly a place reference for a private kiln (which would have been Daimyo sponsored in the period). The mark on the verso is aligned with the decoration on the front - an indication of attention to detail expected also of authentic fine Chinese ceramics. An extraordinary work, finely potted and deftly painted. Very good condition with light rubbing on the interior from wear and a small kiln fault there where the glaze crawled a little. Certainly early 18th century and not implausibly reaching to the end of the Genroku era (1704). About 5 1/4 inches (13.34 cm) diamater at the sides, 5 5/8 inches (14.3 cm) diameter at the corners, about 1 5/16 inch (3.33 cm) high.

A classical mahogany card table. Hepplewhite manner square tapered legs and wood inlaid fine lines and decoration. Probably American Federal and likely mid Atlantic to Southern. Acquired in Virginia. Ca 1800. Good, conserved condition. Height 28 inches, width 35 inches, depth 17 3/4 inches.

This table may be inspected at The Antique Center at Historic Savage Mill, Maryland

American Federal period mahogany lolling chair. Sparse, fine line inlay decoration. Late 18th century. Good condition. Seat height a little low from wear to legs. Seat height about 15 inches. Back height about 40 inches. Width roughly 24 inches.

This chair may be inspected at The Antique Center at Historic Savage Mill, Maryland

A set of six Spode porcelain Imari pattern coffee cans with saucer dishes. Late 18th century, reign oh George III. Excellent condition. Cans height, about 2 1/2 inches. Saucers diameter, about 5 5/8 inches.